8/11/2019

Outside of a Dream, Episode 11 - "I don't think they're getting out of this one."

Drafthouse Films



Cameron's back in the studio with Daniel to discuss The Invitation, Karyn Kusama's 2015 horror-thriller. Set over the course of an uneasy dinner party, the film follows grieving father Will as he begins to suspect his ex-wife's new friends have something nefarious planned for he and the other guests. They also discuss the female horror anthology XX and Netflix docu-series Evil Genius.


5/19/2019

Outside of a Dream, Episode 10 - "Dale Midkiff is a Terminator"

Di Bonaventura Pictures




Outside of a Dream RETURNS at long last. For this episode, Daniel has invited on writer and dear friend Alexander "Xander" Harrington, who recently sold his first short story to Castrum Press. They chat Pet Sematary, Goodnight Mommy, the works of Michael McDowell, and much more!

4/05/2018

Outside of a Dream, Episode 9 - Annihilation

Skydance Media

 A mysterious phenomenon known as "the Shimmer" blankets the coast of Florida, impossibly contorting and remaking every form of life within its boundaries. A team of five female scientists crosses its borders, aiming to find the cause of the incomprehensible force and, for one of them, a cure for her husband's illness. None of them will leave as the same person they were before—if they even leave at all. Adapted from Jeff VanderMeer's novel, Annihilation is Alex Garland's second feature film and will go down as one of the great works of sci fi-horror.

Other highlights: Daniel establishes the Benedict Wong Seal of Quality, Cameron gushes over The Fountain, and we discuss H.P. Lovecraft's least racist story.

A kind warning: this episode contains constructive but intimate discussion regarding some potentially upsetting topics such as depression, anxiety, self-harm and suicidal ideation.

Annihilation can be streamed on Netflix in certain territories.

"How Annihilation Nails the Complex Reality of Depression," by Angelica Jade Bastién

"Annihilation & The Horrors of Change," FILM CRIT HULK


"St Marks Lighthouse 06/30/16," Donnie Pitts

3/10/2018

Outside of a Dream, Episode 8 - The Ritual

Imaginarium Productions




Cameron Suey returns to discuss David Bruckner's adaptation of The Ritual, in which four Englishmen honour their recently fallen friend by hiking the King's Trail in northern Sweden. But when an injured foot leads them through a wooded detour, the hikers find themselves at the mercy of a very old and utterly inscrutable force that will test the limits of their friendships.

Also in this episode, Daniel has bad taste in vacations, Cam goes head-over-hooves for good creature design, and we try to figure out just why the hell antlers are so creepy.

The Ritual can be streamed on Netflix. You can check out Keith Thompson's artwork at https://www.keiththompsonart.com/.


#HutchWasRight #GoodGuyHutch

1/21/2018

Outside of a Dream, Episode 7 - Black Mountain Side

A Farewell to Kings Entertainment Company



Outside of a Dream returns from its holiday break and ventures into the Canadian territories to discuss Nick Szostakiwskyj's Black Mountain Side, an indie psychological horror film that pits a remote team of researchers against a paranormal pandemic and, ultimately, themselves. The movie's director of photography, Cameron Tremblay (@CameronTremblay) was nice enough to stop by and discuss tricky long takes, filming in the woods, and how deer antlers very suddenly became creepy.

Black Mountain Side can be rented or purchased digitally on a variety of platforms, including YouTube


STORY: "The Things"

12/21/2017

Outside of a Dream, Episode 6 - Black Christmas

Warner Bros. Pictures


Silent night, deadly night, everyone! It's Outside of a Dream's first Yuletide episode, in which we explore two Christmasey selections, one from the Great White North and the other from the Great White Much Farther North. The first is Black Christmas, a Canadian proto-slasher from 1974. The second is Rare Exports, a very, VERY alternative take on Santa Claus from modern Finland.

Also in this episode, Daniel appreciates Finnish actors' commitment to their art and Cameron grapples with director Bob Clark's incredibly varied filmography.

Black Christmas and Rare Exports are available to rent on YouTube and can be streamed on Shudder.

If you're interested in Black Christmas' surprisingly prescient themes and dynamics, we highly recommend Aja Romano's essay on Vox on the subject. 

12/07/2017

Outside of a Dream, Episode 5 - The Interior

Low Sky Productions



In Trevor Juras' The Interior, Patrick McFadden plays James, a young, quietly bitter man whose life is upended upon being diagnosed with a terminal illness. Leaving behind his girlfriend and dead-end office job, he travels deep into the interior of British Columbia on a solo backpacking trip. But the solitude he craves in the Canadian wilderness is violated by something perhaps as lost and confused as he is. Speaking of solitude, Cameron relates his own backpacking experiences plus that time he nearly died in the desert.
 
Note: Due to a recording error, Daniel's audio sounds very, very bad. We apologize if this affects your listening experience and promise to have the problem fixed by the next episode. For now, simply imagine Dan is a robot.
 
The Interior can be rented on YouTube.

VIDEO: Unedited Footage of a Bear

11/09/2017

Outside of a Dream, Episode 4 - It Comes at Night

A24



Cameron Suey stops by again to discuss It Comes at Night, Trey Edward Shults' second film and his first foray into horror. Set during an unspecified viral outbreak, two families are brought together at a woodland cottage and are torn apart through paranoia, tribalism, and poor communication. Steel yourself, as It Comes at Night is psychological horror at its most raw and ambiguous. On much lighter notes, Daniel nerds out over movie commentaries and Cam goes buckwild with discount Halloween decorations.

It Comes at Night can be rented on YouTube.

VIDEO: Curve

Story: SCP-001 - Kate McTiriss' Proposal

10/27/2017

Outside of a Dream, Episode 3 - The Blackcoat's Daughter

A24



Horror writer and video game narrative designer Cameron Suey stops by to discuss The Blackcoat's Daughter, the debut feature film of Osgood Perkins. Set at a Catholic girls' boarding school during a snowbound winter break, it's a harrowing story of possession and violence that makes The Exorcist look positively cheerful by comparison. We also delve into an oddly grounded short film of cosmic horror and a chilling blog series whose previously anonymous author has a surprising identity.

The Blackcoat's Daughter can be streamed on Shudder or rented on YouTube.

Cameron's short horror fiction can be found at The Josef K. Stories

VIDEO: AM1200

STORY: The Dionaea House

10/12/2017

Outside of a Dream, Episode 2 - The Witch

A24




In the early 17th century, a Puritan family, recently exiled from their colony in Massachusetts, build their home at the edge of the wild, unwittingly trespassing on the territory of a witch. The wood's resident crone is less your Margaret Hamilton, "I'll get you my pretty" type and more a nightmarish servant of literal Satan. Yet the witch herself is only the catalyst for the actual conflict, which is the paranoia and zealous fervour that starts to rip the family apart. Tuck yourself in for Robert Eggers' The Witch.

VIDEO: Local 58 - Weather Service

STORY: Ted's Caving Page

Theme music is "Deep Blue" by Bensound, found at https://www.bensound.com/

Outside of a Dream, Episode 1 - The Babadook

Entertainment One


For the inaugural episode of Outside of a Dream, my new podcast discussing new horror cinema, I take a look at Jennifer Kent's unnerving 2014 feature debut, The Babadook. In reading a disturbing children's book at bedtime, beleagured widow Amelia and her troublesome boy Samuel inadvertently invite an unwanted guest into their home, upturning their lives and relationship.


STORY: The Whistlers

Theme music is "Deep Blue" by Bensound, found at https://www.bensound.com/

7/18/2017

Daniel's Horror Digest, 07/18/17

A24

*turns cap around, sits backwards in chair*
 
Hey folks, I don't often give shoutouts to Brands, but I would be remiss if I didn't give Shudder its propers. It's basically Netflix for horror (plus other obscure, uncategorizable movies) and it's where I watched a few of the movies I've very briefly reviewed below. The others can be streamed on Netflix or rented on YouTube as indicated.

7/09/2017

Review: Blair Witch

All photos courtesy of Lionsgate

Blair Witch, 2016
Directed by Adam Wingard
Written by Simon Barrett
Distributed by Lionsgate
 
Last September, select moviegoers were more than a little surprised to learn that The Woods, a found footage horror movie premiering at the Toronto International Film Festival, was in fact a stealth sequel to the landmark film The Blair Witch Project. Briefly (and somewhat confusingly) titled Blair Witch, it picks up over a decade and a half after the sudden and inexplicable disappearance of student filmmakers Heather Donahue, Michael C. Williams and Joshua Leonard deep in the woods near Burkittsville, Maryland. It's actually the second sequel, with 2000's Book of Shadows: Blair Witch 2 being a non-found footage cash-in so bad and unlike the original that most people reading this have forgotten it, if they even heard of it in the first place.
 
I finally got around to watching the new Blair Witch a couple days ago and to sum things up really quickly, I wasn't a fan. I am, of course, absolutely biased here. Daniel Myrick and Eduardo Sánchez's The Blair Witch Project is the scariest movie I've ever seen and one of my favourite films in any genre. So my standards are high, to say the least. But I don't think the Blair Witch sequel is a bad movie, just really misguided, and in fact I even want to give its few shining moments their propers when I get around to discussing them. So without further ado, and knowing that I am NOT going to shy away from spoilers, let's dig in.

3/20/2017

Resumption

Guess it won't be a surprise when I say I don't think I have it in me anymore. Writing, I mean.


2/22/2016

Review: The Witch

All photos courtesy of A24

When the family comes across the clearing at the edge of the woods, they fall to their knees and pray, mother and father holding their hands aloft. Pious exiles, this Puritan clan—father William, mother Katherine, and children Thomasin, Caleb, Mercy, Jonas and, soon, baby Samuel—has found true salvation far away from both oppressive England and their compromising Puritan community. It will be a hard life, but a pure and righteous one.

But someone else has already staked a claim on this wilderness. She lives by herself in a shack deep in the thicket, occasionally wearing a red riding cloak that looks lifted directly from the pages of Jacob and Wilhelm Grimm. She is a witch, but not the cackling, green-skinned variety of The Wizard of Oz or a verbose, compassionate intellectual in the vein of Hermione Granger. There is something much more primal and elemental to this crone, and when she’s done working her unspeakable magic the family at her doorstep will be at each other’s throats.

1/20/2016

7 Ways Alien: Isolation Helped Me Accept My Anxiety Disorder

The Creative Assembly

(Originally published on The Robot's Voice.)


My name is Daniel, and I suffer from a mental disorder. Specifically, I have severe anxiety, which often manifests and renders me useless in social situations and leaves me afraid of everything up to and including my shadow. It’s more than a little ironic, then, that I love horror in all of its mediums: film, literature, comics, take your pick. While I might avoid anything remotely tense in everyday life, I enjoy the primal thrill of being scared by a movie or book. Consider it a form of exposure therapy.

With Alien being my all-time favourite film, I was extremely pumped for Creative Assembly’s video game sequel, Alien: Isolation. Though overly long and—I should impress this—ridiculously stressful, Isolation is by far one of the best games I’ve ever played. Not simply for its mechanics or extreme faithfulness to the source material, but for how it allowed me to better understand the disorder that has plagued me for most of my adult life.

If you’ll bear with me, consider…

3/03/2015

An Introduction to Moral Horror


Horror is as varied and multifaceted as rock music. You have your slashers, you have post-apocalyptic horror, you have zombie horror (which often goes hand-in-hand with post-apocalyptic), and psychological horror. Hauntings and possessions are two forms of supernatural horror, and they occasionally mix as with James Wan’s The Conjuring. There’s torture porn, monster movies, experimental/abstract flicks and, my personal favourite, sci fi horror. And god only knows how many of those have been shot as found footage or mockumentaries.

Each subgenre has had its moment in the limelight—zombies are popular at the moment, coming on the heels of the Saw-driven torture porn craze. Found footage has been immensely successful twice in the last decade and a half thanks to The Blair Witch Project and the Paranormal Activity series. And I’m hoping—really hoping—that the good old haunted house film makes a comeback in the next few years. But there’s another class of horror you may not have noticed, in large part because it’s often disguised as other subgenres or completely different genres entirely. I wonder if their creators are actually aware they’re contributing to this largely hidden category. I call it moral horror, and it’s been on my brain the last little while.

2/26/2015

Interview: Leigh Alexander on Mona


Hi, yes, still alive, still writing. I won't bother you with the particulars of my absence, only tell you that I'm back and I have something y'all might find interesting. So let's hop to it.

Leigh Alexander is one of the best game critics in the industry right now. When I say "critic," I don't mean the usual games press shorthand for "someone who tells you if a game is good or bad," but someone who actually examines and analyzes our experiences with games: how they make us feel, how successful the mechanics are at relaying its goals and themes, what these tell us about ourselves, and so forth. In the last half year, she's become one of my go-to sources for nuanced games criticism alongside Cara Ellison and Patrick Klepek. Leigh is originally from Massachusetts, currently living in New York City, and often pops in and out of London for conferences and the like. She also, I must impress, has an incredible voice, as evidenced by the "Lo-Fi Let's Plays" she occasionally posts on YouTube. 

Leigh recently took time out from her critical work to write and self-publish Mona, a short story with illustrations by Emily Carroll, whose horror comics like "His Face All Red" often leave me feeling more than a little disquieted. It is part homage to the landmark horror game Silent Hill 2 and part fan fiction of it. I know I've written at length about the awfulness of fan fiction, but Mona is a fine exception to that rule, a character piece that emulates the dread of its source material rather than aping its characters and setpieces. Rather than following in SH2's supernatural footsteps, it's a work of what I call "moral horror," where fear or terror is derived from the characters' actions, as with YellowBrickRoad. It's at once a commentary on that game and a part of it. And Leigh was kind enough to answer a few of my questions about it.


7/29/2014

The Devil in the Details: The Exorcist and the Uncanny


The Exorcist is roundly seen as the scariest movie ever made, and while I disagree on that point I can totally see why it’s engendered that opinion in audiences and critics alike. The film focuses on a young girl possessed by a demon, which twists and contorts her every which way and turns her into a snarling, hate-filled wretch, excellently voiced by the late Mercedes McCambridge. The mere idea of something invading our body, bending our limbs at impossible angles and forcing us to do and say things we never would is naturally disturbing. It’s also a notoriously grotesque film, making it controversial even today, albeit to a lesser degree than in 1973.

But The Exorcist, for all of its head-spinning and vomit-spewing and improper-use-of-a-crucifix-ing, is actually at its scariest, or at least its most unsettling, when it opts for the subtle approach. Though the possessed, Gollum-esque Regan McNeil obviously draws the audience’s attention, director William Friedkin made a point of littering the film with numerous, uncanny little details.

3/12/2014

Interview: YellowBrickRoad Co-Director Andy Mitton

Pictured: Andy Mitton

The other week I wrote about how YellowBrickRoad, an independent horror film written and directed by Jesse Holland and Andy Mitton, did a number on me. I seriously hadn’t been that emotionally and psychologically worked over by a piece of fiction in a while. Though my essay on the movie helped me come to terms with how and why it had affected me as much as it did, I was still intrigued by this harrowing puzzle of a film. So I reached out to Mitton, a Los Angeles filmmaker originally from New England, and he was kind enough to answer my questions about YellowBrickRoad.

Daniel Link: What's the genesis of your and Jesse's premise behind YellowBrickRoad, and how does House of Leaves come into play?

Andy Mitton: At the start, we just thought the idea of hearing music from an unknown source in the forest was a fresh way to portray a ghostly presence. It was our favorite kind of scary—the uncanny, the thing that cannot be there, but is anyway. Just like that door upstairs in Navidson’s house in House of Leaves, which is among my and Jesse’s favorite books. Lynch and Kubrick also became references as masters of the uncanny and squeezing it for all its wrongness. The story within was both around maximizing the potential of that idea, and also telling a cautionary tale about the nature of ambition—something we were exploring on a personal level, anyway, just by uprooting our lives to try and make a movie. We put some of our own dream-following fears and misgivings into the emerging story of Teddy Barnes’ obsession.