Review: Blair Witch

All photos courtesy of Lionsgate

Blair Witch, 2016
Directed by Adam Wingard
Written by Simon Barrett
Distributed by Lionsgate
　
Last September, select moviegoers were more than a little surprised to learn that The Woods, a found footage horror movie premiering at the Toronto International Film Festival, was in fact a stealth sequel to the landmark film The Blair Witch Project. Briefly (and somewhat confusingly) titled Blair Witch, it picks up over a decade and a half after the sudden and inexplicable disappearance of student filmmakers Heather Donahue, Michael C. Williams and Joshua Leonard deep in the woods near Burkittsville, Maryland. It's actually the second sequel, with 2000's Book of Shadows: Blair Witch 2 being a non-found footage cash-in so bad and unlike the original that most people reading this have forgotten it, if they even heard of it in the first place.
　
I finally got around to watching the new Blair Witch a couple days ago and to sum things up really quickly, I wasn't a fan. I am, of course, absolutely biased here. Daniel Myrick and Eduardo Sánchez's The Blair Witch Project is the scariest movie I've ever seen and one of my favourite films in any genre. So my standards are high, to say the least. But I don't think the Blair Witch sequel is a bad movie, just really misguided, and in fact I even want to give its few shining moments their propers when I get around to discussing them. So without further ado, and knowing that I am NOT going to shy away from spoilers, let's dig in.

None for All, All for Naught: The Dissolution of Morale in YellowBrickRoad

The more expansive selection of American Netflix has allowed me to catch up on some smaller horror movies that I never got around to, and almost all of them were good. At some point in the near future I hope to discuss Nicholas McCarthy’s The Pact, Nick Murphy’s The Awakening and Ti West’s The Innkeepers, all three of which range from good to excellent. For now, though, I want to talk about another movie I watched, one which had an effect on me like no other. It’s called YellowBrickRoad, written and directed by Jesse Holland and Andy Mitton, and it might be the first horror movie to have ever traumatized me.

Subverting Suspense with Lovely Molly

I first watched The Blair Witch Project six years ago, viewed in several parts on YouTube while I killed some time in the study lounge of my university residence. I’ve made a point of watching it at least once a year ever since, and the impression it left on me has only grown. It was then, and remains to this day, the single scariest film I’ve ever seen, one I will recommend to any up-and-coming horror buff at the drop of a hat, and actually one of my top five all-time favourite movies.

In spite of the overwhelming critical acclaim it received and the huge dent it made in the box office, Blair Witch never really launched any careers—at least not any big name ones. Heather Donahue went on to feature in the Steven Spielberg-produced sci fi miniseries Taken, as well as guest star on an episode of It’s Always Sunny in Philadelphia; Joshua Leonard has made a name for himself in mumblecore films, chief among them Humpday; Michael C. Williams has mostly made appearances in indie and low-budget horror flicks. As for one of the film’s directors and co-writers, Daniel Myrick has continued to take his stabs at the horror genre, none of which I’ve seen.

However, his partner-in-crime Eduardo Sánchez has made at least one significant contribution to horror cinema since. As with everyone else involved with Blair Witch, he hasn’t yet made it to the A-list, but back in 2011 he directed and co-wrote Lovely Molly, starring Gretchen Lodge as the eponymous character, the late Johnny Lewis as her new husband Tim, and Alexandra Holden as her sister Hannah. It is, on the surface, a fairly basic tale of a woman on her own in her haunted childhood home (Editor Daniel: Really, Dan? Is that really basic?), but Sanchez and company manage to craft a subtle little film that relies on implication and extrapolation as much as Blair Witch does and plays around with and even subverts suspense in a really interesting way.

Tangent - Apologia

Hey guys,

So it's been two months. Jesus, it really has. I actually haven't abandoned this site, all 20 of you that care, but I'd be lying if I said I didn't have other things on my mind. Job hunting is my biggest priority at the moment because, quite frankly, I'm getting tired of listing "barista" as my occupation in the mini-bio on the front page. Likewise, my weekly Monday posts were starting to feel more like an obligation than something I actually enjoyed. Every once in a while I wrote something I felt very proud of but otherwise I was kicking myself over how to make writing about my favourite albums interesting. Perhaps one solution is to abandon the rigid, every Monday without fail (and even that wasn't certain) framework I had and opt for shorter yet more sincere pieces whenever the mood strikes me.

Analysis - "It was the trees themselves!"

With the exception of a mild fear of heights, I don’t really have any phobias to speak of, be they of bats or snakes or even spiders. I’m not afraid of the dark, enclosed spaces or open spaces either, unless I’ve read House of Leaves sometime in the last 48 hours. But I do have a thing about forests; as much as I love camping, they can really freak me the Hell out sometimes. And of course, I’m absolutely drawn to them both in real life and in a fictional context. Some of the most effective works of horror in the history of the genre are set in the forest, and I’m starting to think this isn’t a coincidence.

Spotlight - Hallow...watches?

Two weeks ago I jabbered on about which books I like to read leading up to October 31^st. This week, I’m composing a variation for that theme. What follows are the three scariest movies I have ever watched, hands down. I’m not talking sudden scares that make me jump and leave me feeling pissed for the following three seconds. I’m talking about movies that stay with me long after they’re over and, if I may be so candid, might necessitate turning on a few more lights when I head off to sleep.