2012: A Cinematical Retrospective

It’s New Year’s Eve, and I’m into a bottle of wine. I’d say it’s about time to wrap up the year and ring in the new one by naming my favourite movies of 2012.

Analysis - The Dark Knight Rises: Annotations

It’s been over two weeks since the final chapter in Christopher Nolan’s Batman trilogy hit theatres. I put up a spoiler-free review the Monday after it came out, but now that the movie’s been out for a little while—and now that I’ve seen it three times—I feel okay with putting up some MAJOR SPOILER WARNINGS and doing something a little more in-depth regarding the movie. My method will be rather inelegant, but make no mistakes, this will be alarmingly thorough.

Review - "What does that mean?" "Rise."

Up until last Friday morning, if you had asked me what my favourite movie trilogy was I would have said the Red Riding saga without missing a beat. With Year of Our Lord 1974, 1980 and 1983 Channel 4 managed to craft one of the tightest, most fascinating epics I’ve ever had the privilege of watching. But again, only up until last Friday morning, because I’ve seen The Dark Knight Rises and its quality by itself and as the final part of a series has cemented Christopher Nolan’s Dark Knight trilogy as one of the greatest of all time.

I loved Batman Begins when it first came out. Since then, I’ve recognized its flaws but the movie is still great in spite of them. When The Dark Knight hit cinemas in 2008, it wowed me unlike any movie before (my good friend Xander Harrington will attest to how I was left practically speechless until we left the cinema). Going into Rises, it seemed unlikely that Nolan would be able to top himself, especially considering the late Heath Ledger’s powerhouse performance as the Joker in TDK—as well as the fact that few final chapters in trilogies tend to be the strongest. But Jesus Christ, he did it. Christopher Nolan somehow did it.

Analysis - 2x3: The Fall(s) of Harvey Dent

One of my favourite things about the Batman universe is its malleability. As has been demonstrated by the Silver Age comics, the 1960s Adam West TV series and the recent Christopher Nolan movies, Gotham City and its denizens can be modified to suit any particular tone and theme, all the while maintaining the core traits of the setting and characters. Bob Haney’s excitable 1970s globetrotter is as true to the character as Frank Miller’s hardened libertarian crime fighter. Likewise, the Joker maintains his glee and twisted sense of humour whether he is harmless (Cesar Romero) or malicious (Heath Ledger).

But there’s no better example of this thematic pliability than Harvey “Two-Face” Dent, Gotham’s physically—and psychologically—scarred former district attorney and one of Batman’s most iconic villains. Two-Face has been depicted in nearly every media adaptation of Batman, most recently Nolan’s The Dark Knight, and in each one of those instances the character’s origin and personality has been changed to fit the themes at play. The following are three of the best, in chronological order: