Review - The Annotated AvP: The Story, part 10

Man, it seems like ages since I wrote one of these. In spite of the almost frightening lack of quality of this lengthy work of fan fiction I wrote in grade school, I’ve come to miss it a little, like a tweaker yearning for some subpar crystal meth. So let’s jump off the wagon once again and wade into the murky terrain of the Annotated Aliens versus Predator: The Story.

Review - "WELCOME TO EARF"

Last Wednesday, for shits and giggles, I sat down in front of my laptop and put on Roland Emmerich’s 1996 blockbuster, Independence Day, as a way of celebrating Canada’s southern neighbours. With my trusty companion, a bottle of wine, I liveblogged the whole experience, and this week I’m posting this pseudo-review, with timestamps, in its entirety. Enjoy.

Review - "Big Things Have Small Beginnings"

A lone figure stands on a dead planet, gazing solemnly at the spacecraft which brought him here, now flying away. As the mothership soars into the stratosphere, the being—a tall, hairless biped with chalk-white skin and uncannily human features—removes his cloak and drinks an oozing, shifting black liquid. In seconds, the compound brings him to his knees, painfully rending him apart at the molecular level until the humanoid tumbles down the adjacent waterfall and dissolves among the rocks below. But from this individual’s agonizing death comes a glimpse of something new. Decayed DNA strands reanimate, one cell splits into another, then another. Like seeds cast into the wind, life spreads.

So begins Prometheus, Ridley Scott’s semiprequel to his 1979 blockbuster—and my all time favourite movie—Alien. I specify “semiprequel” because Scott himself has been wishy-washy about where it sits in the Alien continuum. While it’s set in the same fictional universe, it focuses not on the series’ eponymous monsters but on a species only glimpsed in the original film. It’s a much grander movie, featuring a more cosmic and existential brand of horror than that of its darkly sexual proto-slasher progenitor. It’s 2001: A Space Odyssey by way of Alien and John Carpenter’s The Thing, and with a touch of H.P. Lovecraft to boot; in other words, everything I could ever ask for, give or take some concerns I have with the finished product.

Review - Esquire of Darkness

I watched John Carpenter’s 1987 film Prince of Darkness this weekend. I’d caught the final third or so of the movie on AMC back in my first year of university, and while I remembered it being low-budget and kind of inexplicable it nevertheless intrigued me enough that I was more than happy to watch it in full when I stumbled across it on Netflix Saturday afternoon. With the day off from work and no obligations to speak of, I plopped down on the couch, put my feet up on the coffee table and hit play.

Roughly an hour and a half later, the credits were rolling and I was rubbing my chin, processing what I’d just seen. It wasn’t a mindbender by any means but neither was it trash. It’s actually a fairly solid film from start to finish, occasionally clumsy acting and dodgy pacing balanced out by Carpenter’s cinematography and pulsing synth score, and while it wasn’t nearly as good as The Thing, I could easily see how its cult status has endured over the last quarter of a century.

But later on that day, strolling through the Glebe with a drink in my hand and the thawing ice crunching beneath my feet, I slowly realized that buried within this admittedly unsettling doomsday flick was the potential for what could have been one of the greatest horror films ever made.

Review - The Annotated AvP: The Story, part 1

As some of you might know, in November of last year I started work on a novel for National Novel Writing Month (NaNoWriMo). The goal was to write 50,000 words over the course of 30 days, a feat I was able to accomplish. However, the resulting digital tome—equivalent to half of a first draft—has sat untouched in its folder ever since, partly because I wasn’t satisfied with how it was turning out, but mostly because a story dealing with homicide investigations and acoustical science requires a lot more research than you might think. While this draft has been sitting in solitude I’ve been working on smaller pieces, as evidenced by this site.

Review - Dead Space

Developer: EA Redwood Shores
Publisher: EA Games
Platform(s): PC, Xbox 360, PS3

My list of favourite movies has been consistently evolving over the past couple of years, but to my memory I don't think there's been a moment since 2004 where Alien hasn't been at the very top. The movie does everything right in all respects: the plot rarely if ever gives into cliche, the acting is totally natural and most of the effects still hold up to today's standards - if not better at times; most of the dialogue is improvised, familiar and seamless; the score is wonderfully composed and arranged, the titular creature magnificently designed and executed, and the entire film radiates with haunting, claustrophobic paranoia.